For my part, I hold with Deleuze and Guttari’s opinion that Art is concerned with precepts and affects and their ability. This means that Architecture is not necessarily Art, though it certainly can be and certainly the value of Art in Architecture is important. I am not one to hold that Architecture is only an Art, for Architecture includes much more than Art, both in constraints and in scope, Architecture addresses more than the limited, but very intense, subjects of Art.
WORLDS APART « LEBBEUS WOODS – Lebbeus Woods argues for the need of the next generation of architect's to take up the cause against the strict orders of design of past generations. He feels that fragmentation, chaos, randomness and complex systems of order can lead architect's to new ways of designing and opening up a new way of living for the inhabitants. Though I agree with him in principal, I can't help but question the results of the projects that currently use those concepts in their designs. As is pointed out in the comments to the essay, too often the designs are only frozen representations of chaos or complexity that claim to embody ideas of freedom and new ways of living when in fact by their very complexity, they require strict controls to finance, construct, and manage, which in the end leaves impotent the very concepts they are attempting to embody. Such concepts can not be a purely formal expression but must be lived through the very act of construction.
MANUEL DELANDA: Opportunities and Risks « LEBBEUS WOODS – Manuel De Landa takes on perception from a materialist point of view. De Landa views perception as the ability of an animal to assess and take advantage of opportunities and risks in its environment. He defines this ability as the capacity of an animal to affect and be affected by its environment. Though he never explicitly addresses it, in many ways this theory of capacity is an extension of Merleau-Ponty's ideas on perception but without the transcendental baggage. Like Merleau-Ponty, De Landa's theory posits that our embeddedness in the world is our perception, but De Landa takes it a step farther by extending the idea beyond its purely human roots and into the specifics of how all animals can affect their environment. The most interesting consequence of this idea is that it extends to acts of construction as a construction becomes an extension of the animal's body.
That said, some of my own most productive research was largely incomprehensible to others.